Personal Writing

The Dead in Daylight

Poetry collection available from COOPER DILLON BOOKS.


“A fiercely feminine blood runs through these poems. Of wire, of salt, of harvest, of motherhood, of daughterhood, and all that these elements lay claim to. The Dead in Daylight reveals an astonishing voice that is equal parts ferocious and tender. Melody S. Gee’s collection builds a generous fire where origin is praised and where history shines beyond the flame.” -Tina Chang

“Melody S. Gee’s poems reveal the tethers and the hooks of the past. Beautifully strange and intimate, her language maps the push and pull of motherhood and familial history. A deftly chiseled voice speaks and sings in this book; it’s a voice that’s original and immediate. Striking images attend to both the uncanny and the sublime. In one poem, we’re given ‘a forest of doors.’ In another, the ‘throat shiver of music.’ The Dead in Daylight is one of the best books I’ve read this year.” -Eduardo C. Corral

Each Crumbling House


Poetry collection available from PERUGIA PRESS.

Each Crumbling House Cover

Review in The Daily Genoshan

Review in North Dakota Quarterly

Review in Sycamore Review

Interview with Sycamore Review

Review in storySouth 

Review in

Review in Book Harvest Book Reviews

Review in Asian Cha

Melody Gee’s Each Crumbling House is a tale of return not marked by triumph, but of a palpable absence. The poems’ speakers “count arrows of exiled/geese” to know not only about what it is to feel cold, but what it is to leave home. There is comfort here, too: in the spaces of longing, an understanding is reached upon the return to homeland. While the speakers are reaching for ways to name the pain of lost histories and lost relatives, “always/a word away from the word,” Melody Gee’s poems are full of the right words, folding and unfolding the way that wings do from the mass clusters of Monarch butterflies wintering in the pines, huddling together for warmth.

-Oliver de la Paz

Melody Gee proves to us through her poetry that first-generation Asian American experiences still matter and will always matter. But even more so, her quietly unsettling and powerful book speaks to the whole human experience through its exploration of inheritance.  These are haunting poems about culture, nature, and ultimately about love.

-Victoria Chang



Scented ThingsThe Book of Scented Things

Edited by Jehanne Dubrow and Lindsay Lusby

Literary House Press, 2014


Brilliance, Spilling


Brilliance, Spilling: Twenty Years of Perugia Press Poetry

Edited by Susan Kan & Rebecca Hart Olander

Perugia Press, 2016


Two Countries

Two Countries: US Daughters and Sons of Immigrants

Edited by Tina Schumann

Red Hen Press, 2017


“Luck Let Go” in Barnstorm Literary Journal (2015)

“Silence, Reader” in Blackbird (2010)

“Jack’s Kitchen” in Copper Nickel (2010)

“Back Home” in North Dakota Quarterly (2007)


“The Convert’s Heart is Good to Eat” in Ruminate

Why We Are This Way” read on the Who Raised You? podcast

Liturgy” in Slippery Elm (2017).

“The Convert Learns to Play Hide and Seek”; “The Convert Desires Her Way Into a First Prayer.” Figure One2017.

“On the Vine” in Meridian (Spring 2016).

“Bat Exclusion” in The Los Angeles Review  (Spring 2016).

“Hear Her Say Everything” in Spillway (June 2015).

“Or Am I”; “Yolk” in Construction Magazine (2014).

“Why We Are This Way” in Boxcar Poetry Review (2013).

3 poems in (2012).

2 poems in Connotation Press (2011).

“The Sea Wall” in The Collagist (2011).

“Migration” reprinted in East West Poetry (2011).

3 poems in Town Creek Poetry (2010).

2 poems in Blackbird (2010).

“History Filled In” reprinted in 3 Quarks Daily (2010).

“Giving” in Cha: An Asian Literary Magazine (2009).

“The Voice Before” in The Greensboro Review (2008).